Untitled (One hundred Spaces) | Pinault Collection
A woman looks at One Hundred Spaces, an installation of 100 jewel-like resin casts of the underside of chairs on display in the Duveen Galleries at the Tate Britain in central London,
.jpg?mode=max "RACHEL WHITEREAD (B. 1963)")
RACHEL WHITEREAD (B. 1963)
Rachel Whiteread considers what's not there
Rachel Whiteread: Transient Spaces | The Guggenheim Museums and Foundation
Rachel Whiteread, Davies Street, London, September 7–October 2, 2010 | Gagosian
A woman looks at One Hundred Spaces, an installation of 100 jewel-like resin casts of the underside of chairs on display in the Duveen Galleries at the Tate Britain in central London,
Five Things to Know: Rachel Whiteread | Tate
Rachel Whiteread - void under a chair | Ceramic art sculpture, Geometric sculpture, Rachel whiteread
Turner Prize winner Rachel Whiteread: 'My sheds are poetry, not pointless Plop Art'
Audio Description tour: Rachel Whiteread | Tate Britain
Rachel Whiteread — One Hundred Spaces | by Karen Chhui | Medium
Smithsonian Hirshhorn Museum and Sculpture Garden — Rachel Whiteread “Untitled (Library)” 1999 Dental...
21 December 2010 post: Rachel Whiteread, Selected Sculptures & Interview | fARTiculate
Table and Chair - a-n The Artists Information Company
Rachel Whiteread | Gagosian
Rachel Whiteread exhibition review – the secret life of things | Rachel Whiteread | The Guardian
Rachel Whiteread — One Hundred Spaces | by Karen Chhui | Medium
Untitled (6 Spaces) | Arts Council Collection
A strong show - but is it time Rachel Whiteread cast her net more widely? Tate Britain, review
Children's creative learning through the sculptures of Rachel Whiteread
British Artist Rachel Whiteread Gives Shape to Negative Space | Washington Diplomat
Rachael Whiteread @tate casts of undersides of chairs, 1995. Repost from earlyworkstudio | Contemporary artwork, Art chair, Space art
Rachel Whiteread' Review: Poetic Sculptor of Emptiness - WSJ
Rachel Whiteread exhibition review – the secret life of things | Rachel Whiteread | The Guardian
Untitled (Nine Tables)', Rachel Whiteread, 1998 | Tate
